|
|
|
|
Drama |
home
|
|
|
|
Post-production:
|
|
|
|
|
'100 Days'
(ed/post co-ord. Super16 to 35mm.)
The Rwandan genocide as a drama feature, crewed and told by survivors. Dir./cam.Nick Hughes.
|
 |
|
Camera and lighting: |
|
|
|
|
'Money Talks'
(BBC2; Edinburgh, London and other festivals;
16mm.)
dir. Alrick Riley. A story with no dialogue,
shot on location in Brixton using the long,
developing takes that characterise his later work on 'Cops' and 'Babyfather'.
|
|
|
'The Weatherhouse' (BBC2;
festivals; 16mm.)
This short combines model animation and studio live action with the
collaboration of the infamous physical theatre company IOU.
Directed by Joanna Woodward.
|

|
|
|

|
'Brigit and the Drowning Man' (Edinburgh, London, Cork and other
festivals; 16mm.)
Shot on location in
London and the flat, watery badlands of East Anglia. Dir.Mina Courtauld.
|
|
|
also:
'To Red', 'Day Out', 'An Officer Worker Dreams of His Love'
(Edinburgh, Bombay and
other festivals) and work in progress with Peter Todd/Film Poems/bfi
|
|
|
|
As second-unit camera I've
also worked on 16mm. drama features in Nigeria and Morocco.
|
|
|